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и ˇg(sh)}

l(f)rg:2017-05-12݋f

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ČW(xu)xСfƷɯʿȁđ򄡣ϣDԊȵ

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Ԓ}ˇg(sh)׺W(xu)Ʈa(chn)档

ˇg(sh)lecture}ռıǺܴһOпʹµԿƽr(yng)ԓm(dng)P(gun)ע@һW(xu)P(gun)~RЂo

һČW(xu)Ľ(jng)䰸

E.G. TPO 7 Lecture 1 (Well-Made Play)

 ԭģ

1) The 19 century was the time that saw what we called Realism developed in European theater. Um… to understand this though we first need to look at the earlier form of drama known as the well-made play which basically was a pattern for constructing plays plays that the beginning with some early 19 century’s comedies in France proved very successful commercially. The dramatic devices used here weren’t actually anything new they have been around for centuries. But the formula for well-made play required certain of these elements being included in a particular order and most importantly that everything in the play be logically connected. In fact some of these player writes would start by writing the end of a play.

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2) Well the first is logical exposition. Exposition is whatever background information you have to reveal to the audience…The next key element of the well-made play is referred to as the inciting incident. After we have the background information we need a key moment to get things moving it really makes the audience interested in what happens to the characters we just heard about…Next comes in element known as the obligatory scene. It’s a scene a moment in which all the secrets are revealed…And that’s followed by the final dramatic element—the denouement or the resolution when all the lucent have to be tied up in a logical way.

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Pӛʽ^Ͽ@ӛ

1. L expo

2. ɿ incdt

3. ؂ scene

4. rsln (resolutionĺ)

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@ӿԿˇg(sh) Ԓ}c

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İӛĸһжxጻͬx~ԇrͬrעӋCĻʾ~Ƿ@~

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